I’ve been playing music since the early 1980s. That is both an accomplishment and a realization that makes one feel a little more sage than you really wanted. A life with music at its core has been very rewarding, empowering, nurturing, and instructive. So much of who I am is centered around being a musician, husband, and father (not necessarily in that order, but my family will say that is the order I impose on them).
Early Days
Though I’ve focused primarily on blues mandolin (with forays into rock and old-time), I also play bluegrass banjo, electric guitar, and electric and acoustic bass. I have played in a series of electric blues bands (including The Forecasters who released a CD in 1998 called Too Damn Cold) playing electric guitar. In the early 1990s my brother Phil and I had several southern rock bands with me on electric guitar.
In the 1980s my initiation into the acoustic world is what started me down the path of banjo and mandolin. I started playing banjo and mandolin in the early 1980s after seeing New Grass Revival on Austin City Limits. I took to banjo right away and learned enough mandolin to sub on it in a few bluegrass bands.
Mandolin, Guitar, Banjo, and Bass — Rock, Blues, and Bluegrass
It’s funny that I’ve really had three distinct periods in my life where I was associated with one instrument more than another. In my teens (the 1980s), I was almost exclusively a banjoist. In my twenties (the 1990s), I was exclusively an electric guitarist. Since then, it has been mandolin, truly one of the loves of my life next to kids and wife.
Mental Health Work
My other non-musical life is that as a professional mental health worker. I’m a licensed mental health counselor with decades of experience in mental health care, including serving as a director of a large Indianapolis-based mental health center. I also managed to be “all but dissertation” in counseling psychology.
Richter Mandolin Camp for the Rest of Us
I’ve worked to reconcile my dual mental health and music careers. I’ve focused on musical instruction pedagogy geared toward adult learners and the barriers that keep them perpetual beginners. This approach to instruction has shaped the Richter Mandolin Camp with Don Julin.